There were people who preferred the sound character of the Quantum Leap Hardcore Bass (vintage to distorted sharp sounds adequate for rock, industrial and big beat music) or Scarbee's detailed and plastic bass sound, yet there was no choice but to accept that no competitor could offer such versatility/quality ratio as Trilogy did. Modern, vintage, acoustic, electric, or synth bass sounds combined with finger, pick and slap playing techniques: it had just about everything, including a wonderful double bass. The reasons for its success were the careful and accurate sampling and the huge sound it provided – Spectrasonics' hallmark – but, above all, a versatility competitors couldn't keep up with. Based on the UVI Engine from Ultimate Sound Bank (the same audio engine used on Plugsound and MOTU's MachFive) and an enormous sample bank (for those days: 3 GB), Trilogy quickly became the market's reference in its category. When it comes to virtual bass, the manufacturer struck a decisive blow in 2002 with Trilogy.
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